The smell of fresh baked cookies filling the entirety of a spotlessly tidy house while toddlers play on the floor is the stereotypical realm of a woman.
Women in many countries and cultures are expected to uphold certain societal roles and norms, such as caretakers and homemakers. These roles reflect how society views women as inferior due to the lack of respect and power they obtain in society. The social roles that females hold in their societies will be discussed, along with how these roles are dismissed, and how these females take on more prominent positions that tend to go against society’s expectations in specific films. The characters that women play go against the grain in
In the
In
In the American Hollywood film “The First Wives Club” (1996), directed by Hugh Wilson, three women break out of the molds society has set for them and accomplish goals that most women would never dream of following. The film depicts three middle-aged women who have found that their husbands have been unfaithful. They band together and create the First Wives Club
to get even, and in the process discover “feminist solidarity”, as explained by Adam Mars-Jones in the article “Sisterhood, Hollywood style; The First Wives Club Hugh Wilson”. The women start out with very stereotypically female roles. These women have average jobs, they take care of their children, and they live very stereotypical lives. Mars-Jones described that “They are entirely taken up with husbands and family.” When they decide to take revenge against their ex-husbands, they cross boundaries of women’s roles in society. The author of "Movies on TV", Keith Connolly explains how they go about doing this by stating that “Their tactics include repossessing jointly owned property, buying out a business, and revealing shady pasts and current indiscretions until the husbands plead for mercy.” After achieving all of the goals, they celebrated and sang and danced to the song “You Don’t
By achieving all of these goals, the women overcame society’s norms. They held the amount of power that only men normally holdThe women reversed the traditional roles of “damsels in distress” by conquering their crises and becoming the heroines. while turning the men into the weak ones. Adam Mars-Jones refers to the three women as “heroines” several times when explaining the film in his review. They gain respect and trust and prove themselves worthy in a man’s world, which counters the stereotypical woman’s role.
In the Korean film “Joint Security Area” (” (2000, directed by Chan-wook), a young woman named Major Sophie E. Jang is assigned as the lead investigator from the Neutral Nations Supervisory Commission to investigate a crime scene.
She is half Korean and half Swiss. Throughout the movie she had a hard time gaining respect and trust. Since women do not normally play such powerful and authoritative roles, it was hard for her counterparts. However, she is very qualified for her job and proves it with her investigations throughout the film as she uncovers the secrets beind the relationships between the suspects. Parvathi Nayar, the author of the article "Intelligent actioner", suggests that she is qualified by showing that she “goes about her job with logic and hard facts -- the number of bullets, the manner in which the suspect loads bullets into a chamber, the personal relationships. She's good at her job.”
By solving the murder efficiently, she proved herself capable of handling the pressures and responsibility that are involved in stereotypical male roles. By doing so, she played a role that counters Korean’s stereotypical female roles in society.
Throughout both films, the women shine as they break down the barriers society has placed in front of them. “The First Wives Club” shows how women can evolve from the stereotypical female role into that of a traditionally male role, and gain the respect and trust in such a position of power. In Joint Security Area”, Jang proved herself capable of surviving in a man’s world when given the task that usually is given to men. The heroines of both films breach society’s norms and expectations and succeed in the male-ruled world of today.
Works Cited
Connolly, Keith. "Movies on TV." The Age
Holmes, Steven A. "Sitting Pretty; Is This What Women Want?." The
Times
"Male-female ratios ." The
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Mars-Jones, Adam. "Sisterhood, Hollywood style; The First Wives Club Hugh
Nayar, Parvathi. "Intelligent actioner." The Business Times
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"Steinem Emphasizes Gender Equality at Home."
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